At Home

In this body of work, I use the three-color method—a process that involves making three black-and-white photographs of the same subject through red, green, and blue filters. When layered, they create full-color images that reveal subtle shifts in light, texture, and time. This analog technique bridges early photographic history with a slower, more intentional way of seeing—one that embraces imperfection and labor.Taking three photographs to make one is, for me, an act of care. The spaces I photograph often become a kind of self-portrait—quiet reflections of how it felt to live within them. Rooms, windows, and objects hold memory. They shape me as much as I shape them.This work accepts that nothing stays—people, places, and feelings shift and pass. I lean into that impermanence. By restructuring the camera and using analog tools, I explore how we see and what we miss. Light moving across a wall becomes a reminder: beauty often exists in motion. These spaces aren’t static they're alive.